Ballad Compositions

So a while ago I was working with a female artists “Katie Wilson” this girl has an amazi

Working On Japanese Major Label Project

*UPDATE* I have finished the project now so please click HERE to listen. So on the 10th I was asked

Showreel 2011

So 2011 has gone and 2012 is upon us, I sat down last night and had a listen to a few bits that I ha

 

Ballad Compositions

January 16, 2012 in Tom News

So a while ago I was working with a female artists “Katie Wilson” this girl has an amazing voice, think Amy Lee but with a more rounded sound and you would be on the right lines.

Either way she came down from Birmingham for a few days to work with me at Fatnelly’s and we started a project which was never completely finished. It just came about that I was asked to record some female vocals for Kit Rolfe (Belle and the Devotions) who asked to hear some previously recorded material and I came across this project again which really sparked off new ideas. I haven’t actually changed it yet but have a lot of ideas for it so decided it was worth posting.

This was composed by Katie and myself and produced by me. The recording was only to demo quality but still gives a good indication of what a finished product would sound like.

 

Working On Japanese Major Label Project

January 11, 2012 in Tom News

*UPDATE* I have finished the project now so please click HERE to listen.

So on the 10th I was asked by a major label to write a track for a Japanese boy band which has to be submitted this Thursday (12th) tomorrow in fact.

Me (Left) and Jamie (Right) @Fatnelly Recording Studios

Ah… what with recording and producing an album for another artist and working on some side project parts to submit to Universal, this is certainly going to be a tight deadline.

My first concern was that I have been in a “heavy” frame of mind lately recording over-driven guitars and clicky bass drums and this is more a techno, synth stile of writing.

So I sat at my home studio setup messing about with a few ideas I had for a while, mainly banging my head against the desk as it just didn’t sound right… I had idea after idea put just couldn’t piece them together.
The main thing to take into account with this project is the vocal melody and the hooks, they are certainly the most important aspect of the song, so with that in to consideration I used Native’s Massive plug-in to mold a sound to my liking and just got some a basic commercial style chord progression.

An hour had passed and everything was flowing really nicely, I had the vocal melody in mind ready to take to the big studio to record down and the structure was almost finished.

I had decided I wanted to get real drums on it played by my good friend Jamie Parks (an amazing drummer) as I figured this would give a nice contrast and ambiance to the digital sampled drums I have going on. I would also keep my digital samples and mix them in to chop the song up a little and give it that edge.

So today came I wake up at 2PM due to falling asleep at 6AM and get ready to go down the studio, unfortunately the most important thing I had to do I didn’t do…. Tell Jamie he is recording drums for me and arrange a time. After ringing Jamie it turns out that he would be there at 7PM which realistically doesn’t give us a lot of time for setting up drums, miking them up, getting the right sounds and then mixing them as well as recording all the vocals including the 5 way harmonies!

Steven Slate Drums it is then… these are probably the closest you will get to real sounding drums as an instrument plug-in and if im honest they actually sound great in the mix so it’s all going well. I will get the real drums down when I have a free moment after I have sent it to the company just for my own piece of mind.

Hopefully there will be a snippet up of the song by tomorrow.

Showreel 2011

January 2, 2012 in News

So 2011 has gone and 2012 is upon us, I sat down last night and had a listen to a few bits that I have composed this year.

I have to say I have tons of unfinished ideas and half started projects but out of all the bits I went through these were probably my favorite so figured I would mash them together for a mix-up showreel.

Please bare in mind I haven’t put an overall master on this and most of these are straight from my system but I hope you enjoy them as much as I enjoyed making them, Oh and happy New Year :)

Nightwish Imaginaerum

January 1, 2012 in My Reviews

I have been keeping up with the band recording this album on various social networking sites, viewing many pictures of large orchestras, choirs, big mixing desks and a lot of alcohol!

Needless to say I was excited about its release, to the point that I actually downloaded it on iPhone when it came out and then received the album for Christmas as well.

So my first thoughts when I played it for the first time were WOW, the production was just amazing.

Track 1 “Taikatalvi” was actually sung in Finnish which I thought was a good move, maybe a bold one as it’s the first thing you will hear, but it just seemed to work. The backing gave an eerie feel which set the mood for the rest of the album. Think Danny Elfman style strings and swells and you will be on the right lines. A child’s music box plays the introduction to the song which I love especially as they begin to introduce child vocals later on in the album. The song went on for about 2:30 building, with well placed ambient percussion driving it in the background and brilliantly harmonised choir styled “ahhs” continuing the feel throughout and then song 2 “Storytime” which is gap-less kicks in.

Storytime has the signature Nightwish riffs starting it off on piano and the heavy stabs following it along as it builds up into a headbanging paced instrumental full with orchestra, drums, guitars etc until the vocals drop in.

Now this is where my first criticism comes in, the vocals… in my eyes they sound weak, and if i’m honest I haven’t been a great fan of Anette Olzon since she joined, don’t get me wrong I think she has a great voice but I was so disappointed when I first heard her vocals on Dark Passion Play after having all the previous Nightwish albums with Tarja Turunen singing. I personally feel the vocals were one of the things that made the “Nightwish” sound and since the dismissal of Tarja feel they have lost a major aspect of their music.

But saying this, what they have lost on the vocal front they have certainly made up for in musical talent. The rest of the album was just as pleasing.

Track 5 “Scaretale” is one of my favorites starting off with the old nursery rhyme “Ring Around The Roses” being chanted by a group of young children, the eerie ambient swells and odd percussion along with violins building into a crescendo of guitar and drums stabs and as always a catchy riff being played on strings… the difference with this track is the way it evolves into more of a musical than anything. I mean I feel a lot of their music has musical threads but this piece in particular really takes you into a completely different place. Half way through the song the pace and feel changes again from a horror inspired piece into something that in a way it reminded me of Moulin Rouge. I won’t spoil it to much as I really think it is worth hearing for yourself.

The thing I feel that really made this album for me was the production, and the amount of effort that must have gone into each song. I mean really each song is as complex as the next musically and production-wise.

Each instrument is placed in exactly the right place making it easy to hear every little bit of detail of each instrument, even down to something as small as a glockenspiel hit, and when you have that many instruments in one song playing a hundred different things, its very easy to misplace them ending up in more of merge of sound than anything else, but this is certainly not the case!

One thing that may have let it down a little for me was the amount of “Dark Passion Play” there was coming through on this album. In Scaretale there were a few times when I felt maybe they had run dry on ideas that day so stole a snippet from the previous album, don’t get me wrong I loved the previous album, but preferred it in that album and not this one. This is their 7th studio album now though so appreciate it must be hard trying to still get their “sound” but without recreating a previous composition, but still, playing a previous piece note for note in my eyes indicates they may be low on new ideas.

This aside, I loved the album, the feel, the production and think its well worth the money. It can be hard listening at times but enjoyable all the way through.I especially like the fact you get the Instrumental versions with the Deluxe edition as the music in my eyes outweighs the vocals.

Go and grab it now!

New Beat

December 6, 2011 in News

Ok so I have had to work on some more “commercial” styles of music.
This one still isn’t finished, I have literally only done the backing but really looking forward to Drastik laying some vocals down for me in the next week or so.

I will of course post the FINISHED version once it is finished.

 

 

Trippin’ On Speed Video Released

November 5, 2011 in News

So as I posted earlier this year, Never A Hero have used one of my favourite songs, Trippin’ On Speed.

I wrote this track when I was 15 or so, and last year I was thrilled when the guys wanted to use it as another one of their singles!

The video is maybe one of the strangest I have ever seen, an admittedly not really anything to do with what I wrote the song about, but I seems to work which is good.

So here is their latest video…..Trippin’ On Speed,

From Heroes To Angels Playing On Kerrang & Scuzz TV

August 3, 2011 in News

Yet another Never A Hero song, these guys are doing really well!!

 

This song was one of my creations for the guys, it’s a rap based grimy feeling song describing the way the world is now turning.

There was a lot of emotion put into this song.

It starts off with a very techno based feel and as always with these guys builds up to a heavy melodic finish.

The difference to this track rather than the other work I have written and worked on for them, is this is fuelled by rapping throughout the most of the song, the only sung parts are actually the chorus’.

Needless to say it has a very unique twist on it, and I loved writing this.

 

You can see the video the guys have filmed for this track on Kerrang & Scuzz, and hear the track on most rock stations.

I have even seen some of the lyrics on their fans arms :)

As always I have posted a snippet of the song but if you wish to hear the full track then check out Never A Hero, or buy it direct from iTunes

 

 

 

 

Trippin’ On Speed To Be Used For World Wide Triathlon Promo

August 2, 2011 in News

I was about 15 when I first wrote “Trippin’ On Speed”.

I had just watched Casper The Friendly Ghost, there was a piece of music on there that I immediately fell in love with and I wanted to try and create a similar feel with the beginning of a new song…. Trippin’ On Speed was born.

After that the rest sort of fell into place with quirky style backing following the beginning piano (sped up) and an organ taking the lead.

The lyrics were dark but with a fun feel almost making them contradict themselves.

The song was never really used until last year when a band called “Never A Hero” picked it up, since it has appeared on their first EP Socially Awkward and is now to be used for a world wide promotive video for triathlons.

I’m really looking forward to seeing the finished product which I will post up a soon as I get it.

For now you can hear the clip underneath… hope you enjoy :)

You can buy the full Socially Awkward EP HERE

 

 

Milqud – Hold Me Hostage

August 1, 2011 in News

This was actually a track I wrote when I was 13. I pulled it out a few years ago for one of my old project bands Milqud.

We were fortunate enough to record the track itself with Craig Hardy (Blue, McFly, Lemar).

The song itself had a video made which is what I have posted up but it is no longer being used in any way or form.

This again was a much more ballad based song starting off with only piano and acoustic guitars, but building up to a full rock band finish with drums, electric overdriven guitars and a female harmony.

The female harmonies, even though composed by myself were sung by Andrew Lloyd Webber’s search for a Dorothy runner up Lauren Samuels.

The video itself isn’t really the greatest in the world, but you get an idea of the feel and of course get to hear the song.

Going Orchestral

August 1, 2011 in News

Ok, so not the heavy style I have been working with lately, this is the opening to the Never A Hero album (to be released) “Theatre Of Disaster”.

It was recorded at my studio FNRStudios.

It has a very “Danny Elfman” feel as I think this was what we were listening to at the time.

 

It starts of quite bland and works its way in to a large orchestral finish accompanied by electric guitar swamped in reverb to give that backing and erie feel.

 

Please note this is only a snippet of the song, but feel free to message me if you wish to hear the full piece.